When
I was your age, I started making potions. Witch's brews. No one
taught this craft to me. It was a knowledge which seemed to have
been imprinted in my DNA.
Remember
that song you sang in Kindergarten? Stirring and stirring and
stirring my brew, OOOOOoooooo! I sang that song, too. And it
meant something to me. It stirred a longing deep in my chest. And
then I heard - from who knows where - a Shakespearean couplet:
“Double, double toil and trouble: fire burn and cauldron bubble.”
I knew that sensation – that fire burn and cauldron bubble
sensation. Innately, I knew it.
I
would go to a secluded part of the woods and set up next to a creek.
I dug my fingers into the rich black dirt creating a hole big enough
to accommodate a standard mixing bowl from my mother's kitchen - one
which I had taken for this purpose. The bowl was placed into the
earthen pit. And then I gathered my ingredients.
I
collected creek water in a cup, ceremoniously walking down the bank
to the edge of the water, filling my cup, walking back up the bank
and emptying the cup into my “cauldron.” I repeated this process
until there was enough water with which to create my base. I added
soil, which I stirred in sweeping circular motions with a stick.
Stirring with a stick was elemental in the process. Sometimes the
brew was thick, sometimes not.
I
gathered ingredients as they spoke to me: the prickly sweet gum
balls, which looked like futuristic modular housing for alien beings.
These would invoke a higher knowledge, one with which this world is
not acquainted. The seeds of maple trees resembling tiny fairy wings
would, so I believed, imbue my potion with a bit of fairy magic: part
mischief, part delight. The flower petals from the tulip poplar tree
- sometimes whole blossoms - would be included. Bits of moss. Oak
catkins, which when intact, resembled stringy green caterpillars.
But I crushed the stamens releasing the granular bits of pollen and
stirred them into my brew.
When
I had been jolted out of a synergy, whenever I felt displaced or
disconnected from everyone around me - but most importantly, from
myself – I would make a potion. It wasn't even a conscious
decision. I just found myself going to the creek bank and setting
everything up. The potion's purpose, which was not known to me at
the time, was simply to bring myself back to my core, back to my
heart and spirit. It was to reunite me with magic and hence, with
life.
Considering
circumstances that arose when I was six, it makes sense to me that I
would embark upon this practice of making witch's brews. I was
deeply injured by someone I trusted. I was violated in a way only a
woman can understand. I sought justice from my parents on this
occasion but it was to no avail. Some things are better swept under
a rug when you are a working parent, exhausted from long hours of a
thankless job. It takes less effort to stifle a child and pretend
nothing happened than to confront a wrong and stand up against it. I
completely understand their perspective now. But at the time, I
retreated to my own world of making something new from preexisting
crap in an attempt to order my world, to make sense of it all.
Soon
after that, I began to make potions. I cast spells of wellness out
into the world. Spells of justice, of making things right. As I
meticulously selected my ingredients, I felt a personal sense of
well-being. I felt right with my world. As I combined my
ingredients into the basin I'd planted in the earth, I felt my sense
of wellness being projected out into the universe. I felt a powerful
force field growing larger around me. I was creating a charm of
protection, of self love, and of well-being. I see this now. Back
then, I acted on impulse.
As
I grew older, I fell out of the practice of casting spells. I
followed in the footsteps of those who had come before me. I found
employment in order to make money. I married a man. I gave birth to
two children. The wildness within me was tamed. I stayed in a small
box of acceptable behavior. And this box grew tighter and tighter,
compressing me, stifling me.
My
daughter began making potions around her sixth year. She gathered
rainwater and rich black dirt from the woods. She too stirred her
potions in a sweeping, circular motion with a stick. She selected
tree bark and acorns, pine needles, leaves and rocks to go into her
brew. One day, she found a dead bat in her brew. This was both
alarming and mysterious. But we are taught by our Native Ancestors
that bat medicine signifies a rebirth – the end of one way of life
and the beginning of another. We were getting ready to move to a
different state, away from the only home my daughter had known. And
so it seemed that the bat had found it's way into the brew for a
reason. I cried the day my daughter found the bat and I did not
understand why.
In
time, I reached a point in which I could no longer breathe. I could
not speak. I felt a heaviness in my heart. It became necessary to
break out of my small box and to set my heart free. I planted seeds
and pulled up weeds. I caressed earth worms and carried water to my
plants. I again experienced the sense of well-being that I had known
as a child. I grew wild again.
We
have a wild streak that should never be tamed, you and I. You will
notice when people try to tame you. They will tell you that you
can't do something that you want to do. They will tell you that you
do not have the wisdom to make choices for yourself. They will tell
you how to behave, how to dress, how to manipulate your face and hair
to fit their definition of acceptable beauty. They will not see the
beauty of your heart. They will not see the beauty of your wildness.
It will be hard for you to keep your wild heart alive. But this is
necessary to your survival.
When
we lose our connection to nature and our urge to create, we lose our
life force. We begin to feel sad and lonely, or strangely empty
inside. This is because we are neglecting our wild and magical
nature: that which creates a desire to dwell among forests,
mountains, oceans and rivers, to interact with all living creatures
and to make things.
This
is why magic is necessary for you to practice. This is why you must
make your own potions. It will help you to put order to a world
which makes no sense. It is necessary to invoke the help of our
Mother Earth because her strength cannot be conquered. Through
Mother Earth, we experience the mysteries and wonders of nature.
Through her, our urge to create grows strong.
The
knowledge of crafting witch's brews can take many forms. Sometimes
it is in the form of paint on paper. Sometimes it is in the form of
a mask one paints on one's face. Sometimes, it takes the form of
words on a page. It could be a cake you bake. Or a song you sing.
You must find your own means of crafting a witch's brew. And you
must hone your craft well. Do this for your own protection. Do this
for your own sense of well-being. It is up to you to carry on the
tradition of magic-making.
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